She came up on the edge of the Berlin circuit — warehouse runs in Marzahn, bootleg tapes passed around a fifteen-person Telegram group. No press push, no agency, just the insistence that a night either does the work or it doesn't.

By 2023 she was holding the 7 AM slot at Tresor with regularity — the hardest room in the club, the one where the crowd has decided to stay. Her 2025 album WEIGHT CLASS on Ostgut Ton was reviewed by The Wire as "an argument about endurance."

Roster books her worldwide. She tours with a production rider she wrote herself, a single lighting operator, and no opening DJ if she can help it.